Space and rhythm

I am on holidays.  Three weeks, and several adventures planned, with enough space left for the unplanned too.

This break started with a weekend trip to Wollongong (to see son), then a day and night in Sydney (for a Taiko drumming workshop).

The drumming was great fun.  In two hours we learned the basis of a rhythm that is played continuously at Japanese festivals over several hours, sometimes days.  Arms are held straight, sometimes high above the head before beating into the drum.  Very theatrical.  Once the rhythm starts its important to keep the space between your arms and your body, which is helped by the way you stand.  Always the need for space to support form.

After two days back in Canberra, I headed off again - this time to country Victoria for a five day cycling trip.  There were over fourty people from Canberra there, it being organised through the local cycling club. We stayed in country pubs, and had lovely breakfasts and dinners thrown in.  Overall we did about 270km from Myrtleford to Bright and back, to Beechworth (up a steep hill), then on to Rutherglen for two nights.  The only rain was on our rest day in Rutherglen, when we cycled short distances between wineries, after a ride across the river (and the border) for morning tea in Corowa, NSW.

On the way back I stopped in at Albury and had lunch with my son's grandmother and aunt.  To celebrate the grandmother's 80th birthday I had bought a bonsai plant.  While on the ride I had left in the care of the very kind staff at the Myrtleford visitors centre.

It was a lovely adventure buying the bonsai.  I found a guy who sells them in my suburb, and visited his nursery.  He showed me the big plants ($6000 or more) and they were beautiful.  With the deciduous trees losing their leaves, and pomegranates bearing bright but miniature fruit - it was a delightful place.  And luckily there was a nice cyprus for sale at a very reasonable price.

I was reminded of the bonsai garden when we arrived in Bright, which is on the road to the Victorian ski fields, and which had just celebrated its Autumn festival - the main feature being the beautiful trees turning to shades of red and gold and silver, with their leaves floating onto the ground below them.

The people on the ride were lovely, some friends I know quite well, and others who quickly became new friends.  And on the last day of the ride, after we had all showered and changed out of our cycling gear, a rainbow appeared in the sky.

Lotus flowers and lanterns

Well it seems like just yesterday, but it is nearly a month since I last posted.

And it has been a time of more lotuses, new year lanterns and drumming. In late Feb, on a cycling weekend in Wollongong, we visited the Nan Tien budhist temple.  They were celebrating the Chinese New Year, with lanterns and color, Chinese dragons and drumming.

Echoing my trip to the botanic gardens in January, the pond at the temple was also filled with lotus flowers.

This weekend I was at the National Folk Festival, which is held every Easter here in Canberra.  A lively music and camping scene emerges magically on the local show grounds.  As I usually do, I volunteered in the instrument lockup, which is a good way to see another side to the festival.

And when I wasn't helping out there I was free to enjoy the different shows.  Sometimes new acts are found by studying the program, but often they are discovered moving about the venue, while looking for something to eat, or waiting to meet up with a friend.  Most of the time time my feet are tapping.

Once again I saw lots of good acts, fiddle and bass and singing along with plenty of silliness.  Another feature of the festival is the many workshops - dance and singing and playing.  After seeing Taikoz play at the opening concert I did their drumming workshop yesterday, then stumbled across their evening concert as well.  When I looked up their website last night I just loved their motto - 'to beat with every muscle, bone and sinew in our bodies, with an open and joyous spirit'.

It is the joy in each of the performances at the folk festival that keeps me going back year after year, and which inspires me to keep practicing some music at home.  Slowly, learning to read the notes from the page, and then practicing again and again until the tunes come alive.  There is much to uplift the soul in striving for perfection and synergy and then settling into each moment before it passes - perfect or less so.

And once the show ground has resurfaced, and I find myself in my office humming fiddle tunes, for a few days at least I feel just a little more grounded, and connected to the rhythms that run through time.

A lazy Canberra weekend

It has been a while, seems I've been busy, so just a short post on a long weekend, to say I'm here, and enjoying a restful time.  zzzzzzz

Sang Pemimpi

Last night I saw a wonderful Indonesian film at the opening of a South East Asian film festival at the ARC theatre.  (phew! what a mouthful!).

The film Sang Pemimpi, is the second part of a trilogy based on the very popular books about growing up on an island off Sumatra, by the Indonesian writer Andrea Hirata.  While the books were set in the 70s and 80s there was much that reminded me of the Indonesian villages I saw in Sulawesi last year - the markets (pasar), the school (sekolah) and the mosque (masjid).

It was a delightful story about boys in high school and their dream to go to Paris to study.  Despite some distractions, the two main characters Ikal and Arai did eventually make it there.  The film's title translates as The Dreamer, and refers to Arai who was always encouraging his friends to dream and then working hard to deliver their dreams to them.  This was in the face of losing all of his family when only still a child.  Did I say it was a lovely film? one I think that reflects the humility and optimism of many Indonesians today.

The director Riri Riza, and the producer, Mira Lesmana, attended the screening, and took questions from the audience.  I was taken by a comment from Riri, that when they had screened the film in Europe, a common response was that the film was very nostalgic, and I had to agree.  It captured something of simpler times, when the small things people did had huge effect,.

In the opening scenes when we see Ikal's father riding a squeaky bike on a lonely road.  Later in the film we learn that this scene was repeated each year, when the father travelled from his village to the school to collect the school reports, handed out in order of achievement.  Ikal called him the no 1 father, who did this year after year, only to stop, congratulate his son briefly, then head back off on his bike.  It was even more poignant the year that Ikal's grades dropped, and he only did that once.

Aku senang sekali yang aku melihat bioskop ini.

A day in the sun

Yesterday the sky was sunny and blue.   It was good day to get things done.  In the morning I:

• read the Saturday papers
• went for a run
• started the washing
• looked at two houses for sale to see if they were for me (not yet)
• did the grocery shopping

then in the afternoon, I:

• finished the washing
• caught up with a friend, first at her spiritual centre, and then for ride around the lake
• did some drumming (or tried) at a Mother Nature festival
• forgot to take my camera so couldn't photograph the pagan ceremony that opened the festival
• stumbled home to sleep

It was a fun ride around the lake, with people out everywhere enjoying the aforementioned beautiful day.  Many like us were cycling or walking on the bike paths.  Hundreds went to the National Gallery to see the French Masterpieces exhibition - meaning our usual parking spot was a traffic jam.  Then we passed a wedding in one of the parks, a rowing regatta on the lake, and folk streaming into government house to sit on the lawns and enjoy the local symphony orchestra.  Whatever the weather the lake ride is always enjoyable, but yesterday it was lovely, and great to see Canberrans out celebrating the last days of summer.

The Mother Nature festival was something else.  I was there because I do drumming classes and our teacher is sometimes asked to put together a group to perform, and when he does he sends the invitation out far and wide.  I discovered last year when I said yes to one of these that it can be a lot of fun.  I'm not a serious drummer though, and had only been able to make it to one of two rehearsals, so was a bit rusty even on the rhythms we had practiced.  The core group really did a fabulous job though, and the sounds of the dun duns and jembes really caught the attention of the crowds.

Then we sat and watched the opening ceremony for the festival, which involved five maidens in flowing gowns, carrying sprigs of leaves, and a smoke filled bowl, and annointing the crowd with water.  Fifty or so people formed a circle around them, and the girls led a yoga like breathing session, ending with arm raising and a group hum.

This was (at least) my second spiritual event for the day (or third if you count drumming), as I had also been 'given light' by my friend at the centre.  This involves sitting and lying on the floor while my friend performs reiki like moves on my body.  I don't have any strong belief here, but I don't mind the opportunity to relax and to catch up with my friend, hopefully respectful of the good that is in her practices.

It was a day full of the kinds of experiences I enjoy - to observe the things that engage people, and to see how it gives their lives meaning.  I like to let my soul be in different places, to see what will seep under my skin, and hope that some will resound to others.  I will have to do more drumming practice though, if I have any intention of doing more public drumming!

Edges straight and true

The truth is that most edges are not straight.  Borders marked on maps wind and weave alongside rivers, around mountains, and along the shores of oceans.  Just like the sea ebbs and flows, so the borders change and drift over time.  Sometimes they are lines on maps that bear no similarity to the cultural flows and drifts that set down roots in centuries long past.

Last night, in the early evening, and after a productive day doing household things, I decided that dinner would best be served from a stall at Canberra's Multicultural Festival.  And seemingly thousands of other Canberrans had the same thought - as they crowded into what was a cross between street market and folk festival.  I moved through the crowds trying to decide if I wanted Vietnamese, or Thai, or Indonesian or Sudanese.  Part Octoberfest, part folk festival, it was a lovely way to sample cultures from around the world.  And it was delightful to see people in national dress, singing and dancing, on the stages, and in impromptu groups near each country's stall.  There was joy and pride among each of the groups getting to show something about the place they've come from, rather than what must be their everyday life adapting to the world they are in.

As a poignant prequel to this blend of Arabian night and South Pacific hangi, I met a lovely girl from Krygistan yesterday morning in the carpark of my local gym.  Also a local pool, she had been there taking her daughter to swimming lessons.  Driving forward from the carpark next to me, she had accidently driven over a concrete bolster.  We called the gym, who called security, who were very helpful and removed said bolster from under the car.  While I waited with her I learnt that she had only migrated to Australia 4 years ago.  It was interesting to talk to her and quite clear that for her the borders between the two worlds were merging well.

In the conversation she mentioned Mark Twain, and it made me think about the hooks that grab us when we learn new languages or visit a country.   In travel, sometimes, you can only catch a glimpse of what a country is really like, and when you are learning a language what you learn about the country is often guided by the interest of the teacher or text book author.  There are many cliches that we learn about, and see when we travel.  Sometimes we learn through the lense of past decades, because the materials or the people come from those times.  But if we really want to know a culture all we can do sometimes is butt up against it through these portholes until the vision widens.

And it is the blending of old and new, the memories of expats and the challenges of the day, and the truth that sits behind the songs and dances that helps us live within these worlds.  Before I left the festival, and as day became night, I watched a calypso band sing Kingston Town (a Western radio hit in the 60s) with the Carribean singer and drummer backed up by a grey haired muso who looked like he learnt the song in a garage band, way back then.  It wasn't pure, but like the kids in saris playing with their mobile phones, very true.

Replenish

Here it is, the first day of the second month of a year that is now no longer new.  I went back to to work in the first week of January, and it has been a good month, but the time is coming to firm up some plans for the year, and maybe some plans for a replenishing break - perhaps a few weeks over the end of Feb and early Mar.  Or one in Sep and Oct.  Or both.

My weekend was busy and fun.  Fri night saw a lovely impromptu dinner at a friend's house.  Then we saw Fred Smith and the Spooky Men's Chorale at the Canberra Playhouse, a theatre designed along the lines of Shakespeare's globe.  Buying our tickets on the day for this popular local performer (and accompanying and very funny men's choir) meant we sat up in the high stalls on the side.  There were just five of us in our box.  It was cosy, and quite fabulous to look down on the full theatre, and wave at friends, and watch the audience participate in the show - standing up and swaying on command when Fred asked.

Sat night joined friends for a picnic in the botanic gardens for jazz in the Eucalypt lawns.  It was a lovely atmosphere, quite cool (for a change) and lots of groups of friends, and families, and work mates.

The year ahead offers more shows at the theatre as a group of us subscribe.  Also films at the local university's film group, and I'm sure some folk music from time to time.  And there is a program of books for book group to fit in around the other books in the pile.  In other ways too the year is beginning to settle into its usual patterns.  Yoga classes start again tomorrow night, and I am looking forward to it after a month's break.   And I have opened the pages of the new music book - to hopefully let my fingers and my mind stretch into the new tunes I hope to learn.

With all of these rhythms taking hold, I think though, that I still need that longer break, to rest, refresh, reorganise some things in my life, and perhaps indulge in travel or other new adventures.